Home » Night at the Museum 2 review- by Spill Audio

Night at the Museum 2 review- by Spill Audio

by Flikrate Editorial
Play Video
mediocre movie review sentiment

Sentiment on individual actors/characters mentioned in the Night at the Museum 2 review:

 
Actor/ CharacterSentiment
Ben StillerMeh
LarryMeh
Robin WilliamsMeh
Owen WilsonMeh
Amy AdamsVery positive
Note: Sentiment analysis performed by Google Natural Language Processing.

 

Full-text transcript of Night at the Museum 2 review

Good to see you, Mr. Big, and the bridges himself. This is the Smithsonian’s the big leagues.

First off, Leigh and I, we went to the Night at the Museum to Battle of the Smithsonian, which was a little confusing.

Yeah, well, I guess it’s like Battle of the Bulge. Yeah, that’s what as it turns out. But yeah, at first you’re like, isn’t that just bad grammar? Right. The battle of the Smithsonian.

So, yeah, whatever. But as it turns out, we were the ones who were mistaken, but we never saw the original one just inside the museum. One battle of the museum.

Yeah. I mean, really you didn’t miss anything from the first see, I saw the first one. Tell us about the first one. Well, it’s Ben Stiller. I mean, I don’t remember that much, but the first one to put me on the spot was like a magical Egyptian iPhone that like, brings all the things to life at night.

So in the first movie, Ben Stiller is a guy who wants to be an inventor. Yeah. But his inventions aren’t really going anywhere. And he’s lame. I mean, he’s pretty much losing. His wife is saying, look, come you playing around all this shit, you got a kid, you’ve got to get married in the first. Well, I think they mention his wife and second today. Yeah, well, no. In the first movie, he was divorced. Oh, see, that’s what I’m saying. Like in the movie, his wife is kind of like, look, I left you because of this shit and I’m barely letting you see your kid right now.

You go and get your ass a job, quit playing around all these little toys, trying to be, you know, it being Finian’s would be so, so, so, so he’s like he goes out and does what any desperate guy will do cause I’ve been here to just always work as a security guard.

So when you watch the first one you go on like she wore glasses and a fake nose. Yes. There you go.

She screwed up though because you know, I mean what the fuck? He was right. His little toys paid off a pair. Yeah. And then even more so than that, he’s lucky because it cleared the way for Amy Adams. Absolutely stunning ass to show up in the sequel. I swear to God, every time she would turn around in this, Leon, and I would both go right about that.

It’s like like this movie is protected from getting in some old bullshit just on the fact that her ass walking around those tight Amelia Earhart.

Payne doesn’t make it a nightmare for me to edit this. By the way, get this plot right all over the place.

Ok, so we’ll just get this out of the way.

I just went from, like, down in the middle of the plot to Amy Adams. And I’m just like, God damn far as LeAnn is concerned her as was the plot.

He goes to get a job security go, of course, when he gets there. No, I can’t remember what brings all these things to life, but the guards were there before. They tell them, look, this is not just a regular security guard job. This is a little different. He’s like, you see little, little and little secret here. It’s not about keeping people from coming in. It’s about keeping the exhibits going out. And of course, that means that at night these all these exhibits come to life taking on the personalities of whatever they represent. And Ben Stiller has to actually keep everything inside and keep and just, I guess, keep these guys from destroying the museum. So in this one, I guess it’s something similar. He comes back. It’s just now they just got more stuff.

So he goes back to the museum, as we were saying, and they’re all like, fuck you, dude, how dare you get a successful job and be happy? Yeah, but they’re all being packed off, or at least most of them to go to the Smithsonian storage. And they’re like, OK, well, that’s sad. There didn’t seem to be anything to do with it. But then he gets a phone call from one of them, which is.

Oh yeah, I know. Yeah. Wilson’s saying that help the brother of the evil Egyptian guy from the first movie is here in all. Chaos is great. Listen, you’ve got to come help.

So of course, he immediately flies off to Washington, DC and tries to find a way with the help of a pretty the most entertaining scene in the movie with between him and Jonah. Jonah Hill. Yeah, he steals his security guard pass and gets into the underground of the Smithsonian, where he’s trying to sort out this madness. And there’s an evil an Egyptian. I guess this is what I’m gathering.

Yeah. Yeah. Just trying to play forensic detective and put this together, apparently from the first museum in New York. They say, like, all right, a lot of these exhibits are just old and kids don’t care about them no more. We don’t pack them up, send them to the bottom of the basement, the Smithsonian next to the Lost Ark of the Covenant. Yeah, yeah. And and when they get there, the monkey steals the tablet. So he goes along with them and brings everything to life in the Smithsonian. And one thing that brings to life is the older brother of the little Egyptian kid from the first one and he’s evil. And who’s Hank Azaria? Yeah. This time they got an actual celebrity to step in and play a bad guy. So. So you got Hank Azaria pretty much doing an impression of Boris Karloff, Boris Karloff with a lisp, which is odd considering how you put this together. I have no idea.

He’s the original Egyptian look like maybe he could be Egyptian.

Yeah. What was that? Yeah, I don’t know. They could have gotten the rock for this.

Like, they must have really had their budget cut because they didn’t have a whole lot of celebrities. So Hank Azaria had to not only play common when was named Kamikura Karma, Karma Chameleon or something, but he was also the voice of the Abraham Lincoln statue and.

And of the thinker, interesting story, you know, one night in the meeting, we talked about what Abraham Freed frees you to make an adorable couple. Oh, no, we’re not. No, no, no, we’re not. I mean, we’re not.

We’re not. I mean, we’re not. Blah, blah, blah.

Never like one thing I thought was neat here, like, because Smithsonian’s you’ve got all of this stuff. You’ve got the jet planes in the Air and Space Museum. Yeah.

You’ve got the famous pictures in the art museum and a neat little touch that they stole from the movie waxworks that they could dive inside the pictures. Shit inside.

That’s funny because. Because you like. Oh, that’s a neat touch. And to me, I’m just like, know, stacking the deck. Now you’re just making shit up.

I mean, yeah, but this is like absolutely bizarro fantasy. There’s no rules at all. Well, fuck it. It’s like it’s like pop art in and of itself. So it’s like one big kind of amusement park. It’s one big I mean, yes. Yeah. You can either go with that for like as far as the sense of like your suspension of disbelief or you can. Yeah. And this movie isn’t made for people who can’t.

I’m sorry. As we get to this, here’s the most important part and that’s the most important part, but a huge important part. Ben Stiller has moved on. He he’s an inventor. He’s like he’s rich. He’s like the Ron Popeil. He’s got George Foreman on his infomercials. He’s rich. He just goes to museums, check it out to say like, hey, guys, what’s going on? And they’re all giving him the biggest guilt trip in the world. Doing exhibits ever. Yeah. Oh, yeah. Now that you all famous, you’ll come visit us.

They packed us away, see what you did. And he’s like, yeah, I’m not a fucking security guard anymore. That’s what it is.

They’re like going, oh, man, see you just not doing what you love.

It’s like, fuck you. I was a security guard. I loved. I paid my dues. What to hang out with you loses.

It doesn’t make any difference anyway, because apparently at the museum they just let anybody walk in and spend the night without double checking on you. So you didn’t need to work there.

Leetaru that’s that’d be funny. If all if all these the famous people and exhibits were just homeless people who were in costume who came in like, hey, man, you know, you dress up like an Egyptian guy, you get to sleep on the floor. Bluestocking Albert Einstein, give me a goddamn dollar. Know that actually makes for a better movie. Yeah, I’d pay to see that. Yeah. There’s the security guards. Oh, this is magical. It’s just a bunch of homeless people having a costume party.

Yeah. History. Yeah. Security guard who’s on heroin. You see like it’s like he’s Mr. Magoo.

Oh goodness. That’s what I thought. Like Oh Magoo you’ve done it again.

The whole world is like that security guard here because once the exhibit start going mysteriously, every security guard or person just flat out disappears.

You know, they should have called this actually, because, you know, I mean, OK, yeah, you’re going to suspend your disbelief, but it shouldn’t be like not a battle of the Smithsonian, but the complete and utter destruction of this.

Oh, yeah. They do pretty much destroy it before it’s all over.

They just ripped to shreds. And now, of course, there’s ten times as many things that brought to life. There’s ten times as many cameos. Jesus fucking Christ. Like every five minutes there’s like, hey, look at so-and-so, you know?

Well, in the first movie, we had certain characters like a Robin Williams or Teddy Roosevelt who returns. Yeah, on Wilson, I think. So they go between fictional people in historical people like like like you had Teddy Roosevelt. You have Ivan the Terrible, played by Christopher Guest. You have Octavia’s who’s played by Steve Coogan. And you have some somebody like Owen Wilson playing a cowboy generic cowboy.

Yeah. Yeah. All these VRD stroke.

And he’s Jebediah Smith, the random little cowboys, they get all these, I guess, attractions that return from that from the first movie to this one. Now, in the second movie, I guess they just said, look, we OK, we only have so many historical figures that we can pick from, like Amy Adams, as you said, as Amelia Earhart.

I mean. Yeah, yeah. But at the Wright brothers in there, now you get the Tuskegee Airmen.

There’s lots of two second cameos. Look, look, it’s not only that actor, it’s that famous person that if you actually knew anything about history, you might recognize.

Well, now, don’t they do things? I’m reading some of this online and it says that, OK, we just ran out of historical figures to represent him. Now we got Fonz’s jacket and we got the chair.

Oh, no. You got a cameo from Don.

 

Other reviewers’ sentiment on this movie:

ReviewerSentiment
Tyler DunbarPositive
MovieNightVery positive
Spill AudioMeh
Daily MirrorMeh
Chicago TribunePositive
User Reviews
{{ reviewsOverall }} / 5 Users (0 votes)
Acting
Cinematography
Special Effects
Story
Writing
What people are saying... Rate this movie
Order by:

Be the first to leave a review.

Verified
/ 5
{{{ review.rating_title }}}
{{{review.rating_comment | nl2br}}}

This review has no replies yet.

Avatar
Show more
Show more
{{ pageNumber+1 }}
Rate this movie

Related Videos

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Accept Read More

Privacy & Cookies Policy